In the Edit suite.

I've been editing this last few days. Last night I completed the first cut, what is in effect the assembly cut, from which I will work from. I'm happy to say there seems to be a film there! It stands at 24:33 minutes, which is loads to work from. 

I'll start trimming the fat shortly and bring it down to 20 minutes and then see what's what. I think I will need a fresh eye to have a look at it, someone who doesn't know anything about it, who can come in cold with no attachment to it. 

I'm happy with it anyway, which is the main thing right now. The story comes through and there are strong performances throughout. I'm also happy with the look of the piece, I lucked out with JJ and the availability of equipment. 

I have a fair bit of mixing to do on the sound and I need effects and layers to go under and over everything, so that should be an involved part of the process. I also have the music to write and record, which I always enjoy. Hopefully my musical ability can do my writing directing ability justice... (".) 

Back to work!

That's a Wrap!

Recovering from a night of much libation! Many an ale was supped last night in celebration of the end of our short shoot. 

Everything went well, we got all the scenes we needed, nothing was dropped, we managed to shoot all 21 pages in 5 days.

Day Four: Pick-Ups and Council Offices.

We started late on Tuesday. We had four pick-ups from Monday, due to the weather. I had planned to go back out to the canal to get a shot there, but I couldn't figure time, I was worried about getting back in in time to get the other shots and get to the council office in time. So I cancelled that shot, it was an after thought anyway, took some pressure off. 

It was a beautiful sunny morning so was glad of that. But as people started to arrive it clouded over. We got one shot done when the heavens opens and it poured down. Not good for us, or the equipment, but good for the shot. The stuff we shot on Monday in the same location was in the rain, so it works for continuity. 

We got those shots done and headed to the council offices, thanks to Dom Wilton and Gary Delany for their help there. Dom organised getting us in and Gary is the caretaker, so he was there to keep an eye on things. Both lovely guys and both very patient guys!!! Which helped.

Started with Ann Russell's scenes, got those done quickly. Then we moved into a disused office right beside the hatch where we were working, which was an unbelievable stroke of luck. It was a cool office to boot. Large window out onto the street and a frosted wired window on the opposite side, so it was a interesting space to photograph. 

Time was ticking on, and stress, though not high, was building. I was always aware that we had so many scene to get in such a short space of time and there were people giving up there evening to watch us.

We then moved into the council office itself, a large open plan room with walls lined with binders and desks cluttered with files and office paraphernalia, couldn't really ask for a better location. We got the scenes we needed there. The extras were great, my friend Wendy Tinsely came down, she's some how managed to be in all my films, well - except for Emily's Song, but she was involved. Eamon and Ann Lawlor were down, Ann did a great job with a line I gave her. Maryann jumped in too and I gave Dom a walk on too! Just to say thanks for the help, he seemed to enjoy it.

We wrapped there at 9:30, just half an hour over the promise time, so I think we did alright.

Day Five: Intensive Care

Elaine Reddy and Rory Mullen in a scene

Wednesday, last day, and we were in Dundalk at the DKIT School of Nursing, Midwifery, Health Studies and Applied Sciences. Sharon Touhy was extremely helpful there, apart from allowing us access and use of the facilites and equipment she was our consultant for then day and when it came to it she rigged out patient up to a heart monitor, a drip, a blood pressure mach and a ventilator - even had a mocked up central line! Great! I would have been jamming tubes everywhere! People would have been looking at it saying "That doesn't go there!" - so she was a life saver! Literally!

Graham Newcombe replaced Sue Downey on sound and like Sue was very professional and easy to get along with.

JJ Rolfe and Eoin McGlaughlin

We were a while getting set up. We had to dress the sets and Maryellen Darby had a lot of make-up to do. We eventually got going and started with the intensive care scene. Once filming we moved quickly and got the scene done in less then an hour. We were shooting on a 3-1 ratio the entire time, a lot we got it first time, I saw what I was looking for, but went for one or two more sometimes for safety, sometimes just to try something a little different. 

Then stopped for Pizza! Nice.

In the afternoon we shot the ward scene which again went quickly. Lovely performances from Elaine Reddy and Rory Mullen, many many thanks to them for coming down and giving so much to their characters. 

We wrapped at 3:45, which was great, because we were to be kicked out at 4pm! And that was it. We wrapped up the gear, headed back to Drogheda and vegged for the afternoon! Most everyone headed off but Paschal, Maryellen, Maryann, Noel and Gerry headed for a few drinks... of course a few turned into many! 4am I was staggered home in something of a stupor! It was fun though.

Paschal Scott and Maryellen Darby

Over all I was very happy with how the shoot went. We got everything I wanted, all 21 pages in 5 days, which, as I said, probably good have been condensed to 4  days - but it was nice to have the luxury of time and to have breaks day to day. 

Everyone was great to work with, JJ was fast and professional, I enjoy his easu going demeanour, which never gets in the way of his commitment to getting the shot. He's easy going, but never complacent. Sue is an absolute pro, again, I know I'm getting the best job done when she's with me. Maryellen was great, a lovely person and an enthusiastic part of the crew. She had little experiences in film but she did a wonderful job and will be scene in the final product. Eoin was a pleasure to work with, kind natured and good humoured and of course talented and professional. He's a great photographer as I mentioned previously and he was snapping away during the shoot, so I'm exited to see what he's taken.

The cast were great. Paschal was a gentleman, a professional, kind and generous and a pleasure to work with and indeed, drink with! I was glad to have had the opportunity to get to work with him. I've mentioned all the others in previous posts, Gerry, Noel, Shane, Eric, Connor, Andy and Ann, so I shant repeat myself, less to say they were wonderful. 

Elaine brought a subtle sensitivity to her part. She captured the raw emotion and anger brilliantly. Rory again brought a soft sensibility to his character. He has a great face to photograph (I mean that in the best possible way Rory!) a he can convey so much with so very little. 

-- 

So that's a wrap. Job done. Now I have to see what we got and start cutting, see if we have a film in there somewhere. Well, I know we do, I just don't know what it's going to be. It's odd, I wrote the script, I storyboarded it, I visuallised the scenes over and over in the locations where we shoot, and even though we captured everything I imagined and often so closed it was scarry - I still don't know what the end film will be! Something close to what I pictured I imagine, but different enough to be something else, be a surprise...

I just hope it's a good one!

Me, Paschal Scott, Gerry Shanahan and Noel Kelly

Day Three

OK, this will have to be a quick post - After a long, tough day, I've just had to redo tomorrow's schedule and shot list so I'm a little tired and need a rest! 

Today went well, we got a lot done, considering the weather, which was appalling, rained all afternoon, never let up. Of course we were working outside. I thought it was going to be handy, considering we were filming outside my house, ended up being the hardest day so far.

Late call and a late start due to weather, but as it wasn't letting up we decided to shoot anyway. Switched the shooting schedule around to suit make-up and weather. Shooting the person with no make up first from inside their house on all their scenes over three days, then reversed. They were Noels scenes, his first full acting experience, he did really well, he came across great, I was delighted and relieved! I was happy, good start.

Then we did the first of Mrs.Smith's scenes, played by Ann Russell. I didn't realise but her and Paschal are old friends, the did a play together for a long time, so that was great. She gave a great performance as a fiery Aul-wan! 

Then the weather just got ridiculous, it started pouring rain. So we abandoned ship for warmer shores... coffee and cookies courtesy of MAryann, who I must say was brilliant today. She started the day being the runner and umbrella holder, then shifted into chef mode and then in the dogsitter mode, georgie was out the back going berserk because she couldn't get in. 

We then did Gerry's scenes. He was playing Charlie, a nasty vile character. He was brought a lot of lovely little quirks to the characters and captured perfectly what was on the page and brought a lot more besides, had us all in stitches. Very happy.

The weather calmed down so we shot the last of Mrs. Smith and Pat and then wrapped for the day. Soggy, but happy. 

Because of the delay on the weather we decided to leave a couple of masters for tomorrow. 

Tomorrow is going to be a tough day I think. I'm hoping that we'll get the weather, because I really want to get the shot that we missed on Sunday. Then we're back here for 4 missed shots today. Then we're in the council offices, that's where it gets complicated. Although I gave a lot of time for everything, and we've ended up shooting fast and getting scenes done quickly, I was not as generous with time here, simply because I knew we didn't have the time. So know we have to squeeze all of that into one evening and I have a feeling there are going to be come people on our backs to get moving. I hope it goes well, I wont feel good about it until we're out of it.

Well, that's tomorrow, today was a success and to celebrate I'm going to have a beer and watch some TV with my most amazing and patient wife!

Some more pictures soon.

Day Two

Day two of shoot is done. Another successful and fast day. This morning we shot in McHugh's pub - thanks to TP McHugh for use of his pub, much appreciated! The scene took about an hour and half. Then lunch and then we went down by the river to get a couple of shots, the main character Pat having his lunch and then out along the old canal to get the penultimate and the final shots of the film... little bit of trouble there, the battery for the lens adaptor died unexpectedly! So we could get the final shot. The shot we did get were beautiful I must say, I was very happy with them. So we're going to go back out on Tuesday to get the final shot. I hope we have the weather we got today! It was beautiful. I would have happily stayed out there all afternoon in the sun. 

So another early day in the can, or on the tape I should say. I was happy with everything, would have been nice to have gotten that shot, but these things happen and can be fixed, so wont lose sleep over it. 

Eoin McLoughlin came down with JJ to help with the lights and take some stills, nice to have him down, he helped with lights on Emily's Song during some pick ups. 

One of the highlights was Maryann's Chilli! That was good! Everyone seemed to really like it anyway! Maryann has been great though, a strong support and great with the meals and just being on the ball with the little things I tend to forget, like the main props for two scenes on the first day! 

Tomorrow we have a late start and full afternoon. I still haven't figured out what I'm going to do for the Mrs.Smith scene, where the actress and location class with dates, but hopefully tomorrow I'll have it sorted... not sure what I'll do instead if it doesn't work out. 

This evening was spent just thinking about tomorrow. Shots lists, going over storyboards and getting he costume change right in my head. There is no costume department, everyone is just wearing their own gear, but as we're shooting out of sequence I do have to keep reminding myself of what's been worn. 

Anyway, time for bed. Here are some photos on Monday's shoot. Enjoy.

Sue and Maryellen on location in the Dale.

Eric, Connor, Shane and Andy in the Dale.

Rory Mullen as Liam, waiting for the set up.

Setting up in the dale, Saturday afternoon.

Crew gets set up for the tunnel scene.

All photos by Maryann Kelly. 

Day One

Hard to believe, but Day One is at an end! And what a day it was! Went much quicker, and dare I say it - easier than expected! Very fast, very precise - there was no messing around, we got stuck in and everyone involved was very focused and very in tune with what we were trying to achieve. 

In the morning we set out at 9:30am approx. I thought we would have a difficult shoot up until 1pm, perhaps even pushing it to 1:30pm, but it was fine, I knew what I wanted, as did JJ, we got what we needed, and more and finished at 12... right as it started to rain really heavily -  the timing was eerie! 

I was happy with the performances, everyone did a great job. Paschal and Shane were pitch perfect with there characters. Eric brought what I thought he would, something honest solid and convincing. I was impressed and Surprised with Andy and Connor, who came on very last minute. 

Connor has never acted before but was great, showed a real ability and presence and brought his character to life with energy and enthusiasm. 

Andy, a seasoned pro! Having starred in Gangs of New York no less, brought something unexpected and very special to his dialogue free role. He gave empathy and humanity to w a character who was written as background. By doing that he  became the character who will come away from this experience most scared and changed, if not redeemed - it was something I had not written and is entirely his own doing, just by the actor he is. He'll be someone I'll be eager to work with in the future.

Paschal captured everything I hoped he would. The scene we shot this morning was near the end of the film, and near the end of this character's journey, at the point where he stands to lose everything - it being the first scene, having only met his co-stars 30 minutes before and not had any time to rehearse the scene, except for the few minutes before, he gave an honest, beautiful and sad performance. I was extremely happy with it.

We shot from 9:30 to 12 and then had lunch. Rory arrive at 1pm and at 1:30 we went to the next location, the Dale. It's a common hang out for teens, usually of the trouble making sort. Luckily it was empty when we got there, we managed to get a couple of shots in and then they started to arrive to spectate. 

They decided it would be fun to make as much noise as possible and to walk into frame whenever possible. Thanks to JJ for framing them out of shot and to Sue for capturing the sound as best she could, between them they gave me enough to cut together. Among other things the little bastards got up to was throwing a stone that landed right beside the lens case and starting a belching contest when we asked them nicely to keep the noise down.

It makes me wonder what people like that think when they decide to do this kind of crap. Probably they think it's funny, or amusing, but why does it happen around film, I mean - do the go into stores and through stones at the person behind the checkout, or do they go onto building sites and belch while people are trying to put up dry wall? If I were to interrupt their game of football buy steeling there ball every 5 minutes, how would they feel? If I were to go into their place of work and wreck whatever it was they had just done, making them have to do it again, how would they feel? Not good I'm sure, we then do people feel it's OK to wreck a take, to interrupt my work, cost me money and waist my time and the time of everyone on the crew, people who are just doing their job and want to get home on time but can't because some moron decided to honk their horn and now we have to reset and do everything again... I don't know!

Sorry! Rant! 

It wasn't too bad, as I said we got enough to cut around it. And we got everything we needed in about 2 hours, which was great, so we finished at 4pm! Nice!

I had some stuff to figure out afterwards, juts getting the script in my head in terms of costumes, what clothes on what days for what scenes! Bit of a muddle! But it should be fine. I had a bit of a wonder to relax, browsed some DVDs and Books and then had some dinner before meeting Paschal for a few pint and a Michael Collins whiskey, which seem to becoming something of a tradition! Fun, but hard work! I'm sure I'll feel it tomorrow! Luckily, thanks to an audition Paschal has to do we have a lie in on Monday!

We still have much to do, and with one of the location having just fallen through for Monday night I still have some things to figure out. 

I'm sure tomorrow will go well and it'll be another straight forward and quick day... I hope so at least - well, when I say straight forward and easy I'm leaving out the part where I have to act!!! I'm playing the bartender! I left it too long to cast anyone so I have to step into the clumpy boots! Jeez I hope I don't make a balls of it!!!

Well, seeing as I have to act and direct tomorrow I suppose I should get to bed! More tomorrow hopefully, with photos too, I have them, just have to upload them!

Sorted

Found Money.

Found Make-up Artist.

Found Mrs.Smith.

Sorted.

3 days to go and we are on track for a good shoot. Hopefully things will keep going smoothly. I have a few minor things to fill the next three days. Some costumes to buy, double of shirts for Paschal for when he gets beaten up. I have to meet Ann Russell tomorrow to talk about Mrs.Smith and Shane and Andrew Gallagher to talk about the gang and go through scenes. 

Ann Russell

I also have to make two kinds of fake blood. Something quick an easy using washing liquid and red food dye for general use and the good old golden syrup mix for face and spitting etc. Will probably do that on thursday. Also have to buy all the food for the shoot. That'll be thursday too. 

Friday I have to go to Dublin and pick up the lights from Visual Impact Ireland (formally Digirent) and then get back in time to meet Paschal, who's driving up form Cork. I'm looking forward to meeting him. 

Being up against it over the last few weeks, and being in many situations that I felt uncomfortable in, where I would have rather walked away, I could have used this piece of advice: When you're doubtful, anxious, worried or afraid about something, ask yourself - What would you do if you weren't afraid? Therein lies the answer. 

So easy to look for the easy way out, or spent waisted hours and days trying to figure another way around the situation. If you're honest with yourself you know the answer, if you take fear out of the equation, it's really very simple.

Well, best get some sleep, long day tomorrow again. Need to get sleep while I can... probably wont have any for a week come Saturday!

5 days to go.

We're close. 

Not much happening today, being Sunday, might finish storyboards later. Come tomorrow it'll be busy. Still a lot to organise, still no make-up artist confirmed, waiting to hear back on that, hopefully will know tomorrow, then I can breathe a sigh of relief, as yet I'm still holding my breath. 

Still no Mrs.Smith either. But I have a phonecall tomorrow that I hope will solve that problem. Otherwise a rewrite will be needed and I'll lose an important part of the script that I like very much.

I haven't been nervous much about this film up until now. I can feel the nervous excitement rising and worries have started to seep into my dreams. I had a dream last night that JJ and I were in a giant St. Vincent De Paul shop and we found one of the lights we needed and tried to buy it, but it got complicated, I forget why. Probably due to the reality that I tried booking lights with Filmbase only to find that they were booked out for the shoot dates, so much for the benefits of being a member there. 

Money again is still an issue, have a couple of options that I hope will work. If both do then great, if one does, good, if neither do... Screwed! At the moment I have no money for lights, sound equipment or anything else. I'm hanging on to what little I have so I can buy food. I don't know where the rest will come from - somewhere I hope!

Everything else is falling into place, locations, most of the crew and actors. I met with Eric O'Brien yesterday and went through a couple of the scenes with him and visited one of the locations and found myself getting quite excited at the prospect of shooting there next week. I even started coming up with new ideas while there, and different ways to shoot the scene. So I think we'll be OK on the day. I know these other annoyances will work themselves out, well, I'll work them out, I have no choice, but when it comes to shooting I think everything will be fine and we'll all have a lot of fun working together. 

I'm definitely looking forward to being on the other side of it though, and having it wrapped and on my hard drive and being faced with the thrill of editing, piecing it all together and finding the flow, finding the film itself. It'll be interesting to see if much is compromised on the day and how the final film will be different from what I have in my head right now and what's on the page. But this time two weeks I'll be awash with calm and a grand sense of achievement... I hope! 

I'm most excited about that stage, when it's all done and the worry, anxiety and panic are over and I can sit down by myself and sculpt the footage into the final film for all to see. Should be good!

Anyway, clocks are forward, evenings are long, Spring is here and Summer is on the way. The blossoms are on the tree and the Magnolias are about to bloom. It's a great time of year to be making a film and I'm excited about. 

9 Days to go!

9 Days to shoot! Scary stuff! Still a few things to sort out. Need a make-up artist! Had one, for 3 days, until she found a paying job, which is totally understandable, bills have to paid, but did throw a spanner in the works. Also need to cast one other character, an elderly lady who has three involved dialogue scenes! It’s getting awfully close to be casting characters like that, I may have to re-write to resolve. I hope not, I like the character and I like the exchanges. I would be sad to lose it because I took the easy way out.

Money has become an issue, unforseen expenses have arisen, equipment, lights, sound mixer, make-up. I guess I should have expected it. I had hoped to be ready for the unforseen, but as it happened the fundraiser was something of a disappointment, not a failure, but I earned under half of what I thought I would or should, consider I had Jason Byrne performing, who always sells out in Drogheda. Live and learn.

If you're planning a similar event I would say do it for sure, but here's some advice you could follow to make sure it's a success:

• Find a venue, ask your talented friends to perform for free - they will. 
• I had two comedians, a singer/songwriter (Originals and covers) and DJs for filler.
• Go to local business and ask them to sponsor spot prizes in return for credit and Advertising.
• Hold a raffle on the night, you’ll make a lot of money from tickets, especially if the prizes are good. €2 for one €5 for 3.
• Get the comedian to do the raffle, it’ll make it fun.
• Ask a local printer to sponsor poster and tickets for the same.
• Send a press release to local papers and radio two weeks in advance.
• Follow up, make sure they put it in.
• Spring for advertising if possible, and ad in the paper (as well as the press release) two weeks before and the week before.
• Spring for an ad on Radio if affordable for the week leading up.
• Plan at least two months before the gig.
• Start getting word out 6 weeks before the gig. Word of mouth needs to spread.
• Text everyone you know and send out reminders the week, the day, the hour before. People have lives and tend to forget - doesn’t get the cash in when you meet them the next day and they say “Awe, you should have reminded me!“
• On the night you’ll have fun, once the punter are in you can relax.
• During all this don’t let the fundraiser distract you from the most important thing - the film!
• Call you actors. Make sure they’re know what’s going on. Don’t solely rely on emails or texts.
• Make sure people involve are on the guest list.
• Give your self plenty of time after the fundraiser to get back on track with the film.

I think that’s the best advice I can offer in that department. 

Stress aside, of which there is not that much, I am looking forward to it. I’m much more relaxed on this one then I was on Emily’s Song for example. But on that I didn’t really know what to expect. This, I think I know what's coming - I hope I do! It’s going to be a light shoot anyway, I have the bare minimum crew I need, DOP, Gaffer, Sound, Make-up and me, that's 5 of us on the go. With support from my wife! Who’ll be the production manager and the cook! And friends have offered other support, so we’ll have runners, which will be handy.

I think having a runner is essential on a small shoot like this, someone willing and able to move equipment, run the shop for water, move furniture, all the last minute things that arise, that you, as director, or any of the other technical crew who have specific and involved jobs to do, should not have to think about.

I think it’s going to be good though, it’ll be intense, with a 21 page script to shoot in 5 days (that’s 4 pages a day for anyone who wasn’t paying attention!) but I think it will be fun. I’m over the moon about the cast, couldn’t be happier really. I think it’s come together really well and I’m looking forward to working with all of them. 

Hopefully together we can make something special. I think we will.

Rainy Day TV

The Nationwide team came down today, Producer Joan O'Sullivan and Cameraman Ken O'Connor, nice small team. They filmed from 10am until 3pm. In between they got plenty of footage and interviews with me, my brother Noel and my Mother.

Started off with some shots of me leaving the house, making my way to the Arts Centre. Then in the Arts Centre they interviewed me about the film, the origin of the film and the photos. 

From there Noel joined us and we visited my grandparents old house, the place my grandfather worked and then to a high vantage point behind the factory, looking down, where Noel was interviewed. 

From there the filmed a meeting shot outside the bookies that appears in the film and then on to my parents house and an interview with my mother about the film and her memories of her father. 

It was all very quick and easy going and enjoyable and no real hiccups, it rained some, but that didn't delay us much - Oh! There was the moment when one of my nosey neighbours came out of his house and ruined a shout by standing right in frame to ask who these people where?, why they were here? and what were they doing? Once his he filled his beak he trotted off and we got on with it! Classic!

Nationwide Presenters: Michael Ryan and Mary Kennedy

I know Noel and especially my mother were very nervous about the whole thing, so I appreciate them doing it, although they probably wont be doing it again anytime soon! But they came across well and both did very good interviews. I guess I'm used to doing interviews and talking to strangers in that way, or talking to crowds, but I never thought of the fact that they have no real experience of this! So sorry to them for putting them on the spot! But they were great!

I think it should cut together well and become a nice piece. They'll use segments from the film, images from the exhibition and images of my grandfather. With the interviews with Noel and my mother it should be a very intimate and personal family piece that I think will connect with viewers, much like the film did. 

No dates for broadcast yet, but I will keep you posted, hopefully soon. Joan informed me that they general created themed shows with several different features, so they just have to wait until it fits a theme I suppose, no idea how long that will be. Hopefully I'll be able to podcast the clip too. 

Drogheda's Scholars

Two new sponsors join the film today. 

First my thanks to Scholars Townhouse Hotel for coming through on the accommodation! This is very much appreciated and quite a relief to get! 

Scholars is somewhere I really like, it's old Christian Brothers house, in fact it was house of the brothers that once taught me! It was recently converted into a hotel and beautifully finished to a very high standard and is now reminiscent of a fine country house, even though it is right in the centre of town - and now more then a five minute walk from pubs, restaurants and shops... and more importantly in this instance, all our locations! 

It has a special place in my heart being as it was where Maryann and I went for a glass of champagne after we tied the knot on our Civil Ceremony (prior to the family and friend ceremony.) 

It has a really relaxed atmosphere with a great staff, so I'm delighted to be able to have Pat stay there for the week he's away from home.

I would also like to thank the Darren and Collette and all the guys at Calipo Theatre & Picture Company for their donnation to the project today. It was very generous of them. 

Calipo have been a hub of creativity and inspiration in Drogheda for many years. They continually strive to bring new, unique and innovative work to the stage and screen. They prove time and time again that they are among the very best Ireland has to offer in terms of creative talent, with award winning plays, popular television series and award winning short films. They are among the elite. So it is an honour for me to have them call up and offer to help. Thanks guys.

Sunny Day

A Beautiful sunny day today, I'm inside storyboarding, which is fine, at least I have a view and an open window! 

Yesterday, St. Patrick's day, I did some location scouting - found a couple of suitable places. One in particular, and while photographing the place I had drunken teens shout abuse at me! So I guess it really was the perfect place, consider it's where the main character encounter similar teens. Hopefully the real ones wont be there when we're shooting. I guess if we do it first thing in the morning we'll be OK, teens don't usual rise until after 2pm anyway (speaking from experience - having been one myself)

I'm still moving ahead on 140, although recruitment has slow this last week, which isn't a bad thing, with the Slán agus Beannacht shoot 2 and half weeks away I need the time! But we're over the 50 mark, 51 to be exact. Here's who: 

46. Sarah Egan – Outer Hebirdes, UK – asgerd 

47. Kate Murphy – Dublin, Ireland – murphk27 

48. Thomas C. Guant - Chicago, USA  

49. Aaron Goodliffe – Meakstown, Ireland – AaronGoodliffe

50. Farah Azalea - tbd 

51. Luzius Wepse - Switzerland

Excited to have all of you on board. Still more to come, had a couple of emails this morning I need to reply to, so that may increase by the end of the day.

As I work this project however I do find a lot of resistance against twitter, and I have encountered more and more people who have a strange paranoia toward internet social networking sites. Makes me wonder who they think is watching them? Or do they really think they're that interesting or important that some secret government agency is storing this information? 

First of all, why? And secondly, who? Why would the government want to know any of the mundane day to day of our lives? And who is storing all this information? They'd need thousands of people working around the clock on some super-sized computer storage system... it just doesn't seem plausible to me - or maybe they want me to say that - maybe they've programmed me to think this way - maybe I'm one of them... 

Haha! They, them! Give me a break. You have to take all this stuff with a pinch of salt. The only thing worth worry about is the level of fear mongering orchestrated by news and tabloid media that has people thinking this way. We're just playing here, it's like passing notes in class, doodling on our copy book, twitter and facebooking is just a bit of fun, I really don't think there's anything to worry about... except maybe addiction - as some people have pointed out to me!

But in defense of the amount I twitter - I work on the computer, I'm usually writing, or storyboarding or emailing. I don't watch a lot of TV and I work from home. Twitter is just a side thing - I have a thought, I put it down, doesn't take that long and I enjoy doing it. I also find it useful and entertaining. If people don't care or are fed up with me clogging up their twitter page or facebook home page then stop following me, or click 'Hide' on your facebook - stop complaining, change the channel! 

Between the blogging, emailing, twitter and facebook updating I still manage to get all the work done I need to do, so I'm not worried about it. If it starts getting in the way I'll stop. 

Which is now - time to venture out see if I can find some sponsorship for this film! 2 and half weeks!!! Holy... But that's OK, I'm looking forward to it!

New Cast Members Join Slán agus Beannacht

I'd like to welcome Elaine Reddy and Rory Mullen to the cast of Slán agus Beannacht. I'm looking forward to working with them and delighted they've come on board. 

Elaine Reddy as Ann

Rory Mullen as Liam

Modern Times

Had and interview this week with The Sunday Times about 140. Went quite well, was fun to do. Photographer came down yesterday and had me lounging around my office in awkward positions while trying to emulated relaxed positions, bit odd, but fun nonetheless, will be interesting to see the end product.

I'm not sure when it's going out, not tomorrow anyway. But I'll post it when I know. It was fairly straight forward. We talked about the project, who are involve so far, how many more I hope to get, the themes and what the end film will be. Also about how the internet is changing how films can get made and how much more accessible filmmaking is these days.

We also talked a lot about twitter and whole point of it, which, it seems, is impossible to explain to anyone who doesn't get it, and more so to anyone who doesn't want to get it... luckily the interviewer was not one of those people - otherwise I think it would have been a bit redundant! 

Jan Battles was she, she coined a very funny word with regard to wives who had lost their husbands to twitter (mine included!) - Twidows! - I like it! I added that husbands would therefore be called Twidowers! I'm sure there's a few out there!!!

I will let everyone know when it's coming out and probably post a scan of the article. It's great for the project, it'll get word out about it and help us get new filmmakers on board and hopefully other media outlets will pick it up and we can keep the ball rolling to the magic 140.

Film Ireland

Film Ireland mentions Bill, For Short this month as part of the Heart of Gold Film Festival, where Bill is screening this month as part of the Irish film night. It is also up for best documentary at the festival.

Pictured in the article above is my brother Noel Kelly, who appears in the film.

News

Just a couple of things today. First, thanks to IFTN.ie for this wonderful article. Should help to get some Irish filmmakers on board the 140 project.

Secondly, Nationwide, the RTE regional magazine show is doing a feature on my film Bill, For Short and the accompanying exhibition Old Shoes and Broken Walls. The crew are coming down next week to film it. So that should be cool, will get the word out about the film.

De-cluttering.

A day of listening to podcasts, Creative Screenwriting and The Treatment, and reorganising and cleaning my office! It's amazing how much stuff one person can accumulate in one place! Filled an entire wheely bin with junk and I'm still finding it hard to find a place for what's left! Where was it all to begin with? Well, I know where, all over the floor and stacked high on and under my two desks!

I do feel bad throwing stuff away, I think of as an archive - to what? I'm not sure, my career, which has really begun yet, and even if it does take off, who's going to want to see fifty out of date posters to a fundraising event, or obscure photocopies of film notes I've never read, or stacks and stacks of outdated funding application forms?! It all must go, lest my office floor give way and I end up in the room below leaving an even larger mess on my hands.

This is something I often do to clear my mind I guess, a physical enactment of a mental process. With Slán agus Beannacht drawing ever closer it's time to focus and I find decluttering gets me in the right frame of mind to do that. Even though I started at 4pm today, it's now 12:30am!Some might say that time might be better spent storyboarding or something. But tomorrow I'll find a cleaner, more spacious environment to work in and I think it will be conducive to clearer thought and productivity on a busy time ahead.

Anyway, better get back to it! Half my stuff is in the bedroom and Maryann wants to go to bed!

Fundraiser Night

Last night's Fundraiser was a success. A few last minute hic-cups and half the crowd I had hoped for, but I raised some money, which was the aim, so better then a kick in the teeth!

Kicked off an hour late. Place was empty till 10pm. Jason got lost because of my bad directions. I don't drive, so I'm the worst person in the world to give directions to someone in a car! Robbie Bonham took the place of Bernard O'Shea two hours before the gig, so thanks very much to him! 

The night kicked off with a screening of Emily's Song, seemed to go down well. Then Jason got up and warmed the crowd up, he did some new stuff, which was great. Got the crowd going and then brought on Robbie, who did a 40 minute set! Great! He went down well and had some great material and great lines, he's a kind of sarcy dry witted vagabond, looks like some brain cells may have been laid waist to over the years but his sharp observation and well structured material shows he's hung onto the important ones!

Little break, sold a bunch of raffle tickets and then back to have the funniest raffle I've ever been to with Jason drawing the number and me standing beside him like a pleb getting the piss ripped out of me for dodgy prizes! Jason is a genius though, only he could make €10 kodak print vouchers funny! He also seemed to display a remarkable psychic ability at predicting who was going to win what! The funniest moment came when one of the sponsors won his donated prize back! But he put it up again!

Everyone really seemed to enjoy that part of the proceedings. Then Paddy McArdle came on to play the night out, good as always. 

So all in all it was a fun night, I enjoyed myself immensely, which, after the stress leading up to it, I thought I might not! But it was fun. Good to see Jason again, good to meet Robbie, good to get a group of people together for a good night of entertainment in these dark days when media buzz words like recession and credit crunch are stalking our every thought. And I raised some cash, which was a plus.

Thanks to all the sponsors for their support:

That was the fundraiser. I still have a ways to go to get what I need, So I have no idea how that's going to happen. I'll figure something. In the meantime I still have lots of work to do.

A special thanks too to the acts, Jason Bynre, Robbie Bonham, Paddy McArdle and External Sounds. McHughs for the room. Everyone who attended and bought tickets. And especially my wife, Maryann, who helped with all the preparation and sat in a freezing cold corridor for most of the night taking tickets. 

The List So Far...

The journey continues and more and more filmmakers join the 140 project. I'm delight to welcome new filmmakers from China, Australia and Ireland.

Here's the full updated list:

Name – Location – Twitter handle

1. Frank Kelly - Drogheda, Ireland – frankwkelly

2. Elliot Kotek - LA, USA

3. Gustavo Ron - Madrid, Spain

4. Iulia Rugina - Bucharest, Romania – iulia_rugina

5. Santana Issar - Mumbai, India

6. Varda Hardy - LA, USA

7. Anna Christopher - LA USA

8. James Gross - Indianapolis, USA – 1stswashbuckler

9. Shannon Mullins – Indianapolis, USA – thirteenthman

10. Laura Kidd - London, UK – warriorgirl

11. Ryan Little & Adam Abel - Utah, USA

12. Luis Sosa – Mexico City, Mexico – luis_sosa

13. Chris Ford – Mill Valley, CA, USA - hotshave

14. Marc Havener – Lawrence, KS, USA - yohaves

15. Alice Brooks – Biddeford, Maine, USA - alicebrooks

16. Margaret Johnson – San Francisco, USA - maggiejca

17. Marina Blanco – Southern CA, USA

18. Jon Fitzgerald – Venice Beach, CA, USA

19. Lisa Gornick – Kentish Town, London, UK

20. Chris Billing – Washington DC, USA

21. Robert Sucato – Phoenix, Arizona, USA

22. Jill Carter – Toronto, Canada - jillcarter

23. Guy Shahar – NYC, USA - viteforguy

24. Michael Albanese – LA, USA - mivialarts

25: Rob Sorrenti – London, England – monsoon130

26: Oskar Thor Axelsson - Reykjavik, Iceland

27. Emily Best – Brooklyn, MYC, USA – emilybest

28. Trampas Thompson – Los Angeles, USA

29. Mairin DeBarra – Dublin, Ireland – mdebarra

30. Gavan Muprhy – Marino, Ireland – touchmeimhappy

31. Brent Gudgel – Pasedena, USA - brentgudgel

32. Markus Görgens – Berlin, Germany – schattenwandler

33. Brendan Phelan – Dublin, Ireland

34. Steven Robinson – Melbourne, Australia - jackmaddox

35. Natasha Pincus – Melbourne, Australia

36. Chris Lawlor – Bejing, China – crawlor

37. Tara Grimshaw – Sydney, Australia – tara_g

38. Matt Bisson – Sydney, Australia – eggfilm

39. Paddy O’Shea – Cork, Ireland - PaddyOShea

40. Robert Zappia – USA – rzappia

41. Noel Farrell – Trim, Ireland –

42. Gina Dow – Canberra, Australia –

43. Gennifer Gorzula – Canberra, Australia –

44. Damien Donnelly – Paulstown, Ireland - 

45. Johnny Blank – Melbourne, Australia - 

46. Sarah Egan – Outer Hebirdes, UK – asgerd

47. Kate Murphy – Dublin, Ireland – murphk27 

48. Thomas C. Guant - Chicago, USA  

49. Aaron Goodliffe – Meakstown, Ireland – AaronGoodliffe

50. Farah Azalea - tbd 

51. Luzius Wepse - Switzerland