Monday, November 01, 2010

Large, Disused and Unavailable... No, not me!

I've mentioned, without much detail, that I'm working on a new film (planned shoot at the end of January) called 'Derelict'. It's set in one location over one night. It's mostly cast, mostly crewed and had, up until this morning, the location. I was informed today that now I cannot use that location.

The Perfect place, exactly what I was looking for, in fact it was so ideal that when I visited it for the first I wondered if I hadn't been there before and forgotten, it was so close to what I had written in the script. I thought, "This is just the best luck!"

Now, two months later, I'm told that due to "Health & Safety" issues, it is unsafe to film there. Honestly seemed fine to me, but what do I know, I'm not a health & safety expert. So, I'm up a creak without a paddle with 3 months before shooting. Bit of a headache, but I'm sure something will along. Maybe even better than I'd hoped for, who knows.

I am looking forward to it. As I finish the script and the story and structure solidify in my mind and I talk to actors about it I find I'm getting more more excited about it. I think it's going to be good, something really unique and fun to do and hopefully, no, I'm sure, fun to watch!

So I'm hoping some of you will make donations to help with production. Anything from €1 to €1,000,000 (no seriously, a million would be great!!! and seriously, €1 would too, it all goes somewhere - if 50 of you give €1 each that's tapes bought for the whole shoot!)

This film has no backing, no studios, financiers, arts agencies or government appointed film bodies are involved, I'm doing it off my own back. So if you want to be involved, help get the film made and have an Associate Producer credit on the end of the film (as well as an exclusive invite to an online Premiere before anyone else has seen the film) then click 'Donate' to your right and enter whatever amount you feel you can afford (you could even buy a credit for the film fan in your life as a christmas present?!)

If you're not a 'paypal' kind of person, and many aren't, click 'Drop Me A Line' to email me and we'll figure something else out. Or you could just buy a 140 DVD, same as above, click donate and enter €15.99 with your address and I'll send one out to you. All money goes toward this new film.

Late addition: American Film Website Movieviral.com have picked up on my call for donations! Check it out here.

The Lord takes with one hand and gives with the other.
(I don't know if that's a real quote from anything, but...)

Two nights ago I dreamed a short film, well, it was more like a scene from a film. As I awoke and lay in half slumber, threads of the dream still hung and I was able to form a structure around this dream. As I awoke I began to wonder if this story I had half dreamed half made in waking slumber was actually worth hanging onto, as clarity dawned I found it was and I had to quickly employ some dream remembering techniques to hang onto it. Like word association, names, faces, tone and telling the story over and over the more I woke and then most importantly, telling the dream to my still sleeping wife as she lay beside mumbling something to the effect of: "Why are you waking me, it's Sunday..."

I spent the morning writing this dream down in script form and from it came a new short script, 23 pages long, called "The Quarry" which I'm actually quite happy with. It tells the story of two people in love, who've lost each other, we never find out how or why, but the find each other again when they both think it's too late. It just takes on last leap of faith to bring them back together.

This is the third script I've dreamed, "The Hollow Tree" was the first. That one was quite dream like and a bit mad! The second was "Angelina" a magical romantic story set in Paris. And now this. It's a funny thing, unexpected when it happens, but always thrilling and a joy to be handed a full story as a gift from my subconscious. It's as if my brain is a writer all on it's own and occasionally sends stories my way, just to see what I think. I must very critical though, if so far I've only accepted three!

I don't know what I'll do with it. I suppose it's doable. Would require money though. Most of it is straight forward character based drama, but there are two major stunts in it. And it would have to look beautiful, no low-budget digitally shot over the weekend crap here. Time. Effort. Quality. It would have to be a portfolio piece for all involved.

Anyway, we'll see.

Well, gotta go. Have to find a large disused building that someone will let me shoot in, and bloody quickly! Wish me luck!

Tuesday, October 26, 2010

Emily's Song on C4.

Emily's Song is to be broadcast on Channel 4 again, at 4:15am Monday 1st Nov. So for all you insomniacs, early risers, return partiers, parents of small babies and the general night-owl population, please do tune in... I will be sleeping!

Monday, October 25, 2010

FOR SALE €15.99

The Heartland Film Festival ended over the weekend, with the final screening of 140 on the 22nd. By all accounts the screenings were successful, people enjoyed the movie, even cheering when Indianapolis came up! Wish I could have been there!

(Among the filmmakers present were
Kevin Makice and his son Carter)

(Also present at the festival was 140 filmmakers Gustavo Ron, centre,
who was a Crystal Heart Award Winner this year for his feature film
'Ways To Live Forever' - composer Cesar Benito is using the award
as a tooth-pic!)

Heartland has always been a supporter of my work, with Emily's Song and Bill, For Short screening in previous years. And even though I have now had three films screen at the festival it's not something I would ever take for granted, it remains an enormous honour to be selected for such a great festival. I hope I can continue to make the kind of films they want to show.

However, my next film wont be one of those! Derelict, a crime thriller, is moving along and set for a January/February shoot tbc. I've written the first draft of the script, but needs work and I'm slightly stumped. I blasted out the first draft in about 3 days, just to get the story out of my head and on to paper. It's all there, the storyline, the plot, the characters, the beats I wanted - but it needs more, another layer of depth to real make it work. My challenge now is to find that layer, add it and quickly.

I have started casting, people have come on board, which I'm very excited about, but I'll wait until things are more solid before I announce any names.

Some sad news, my good friend Mark Lebenon, who I originally started working on Derelict with, is leaving Ireland and going back to South Africa. Super nice guy. Good writer, filmmaker and collaborator (what time we had to collaborate) I had hoped he would be able to work on Derelict with me, but unfortunately Ireland, and the state we're in, have not made it easy for him and his family to make a life here. I wish him, Donna, Aidan and Liam all the best and hope to see the back on our shores again in more prosperous times. Good luck Mark, I'll miss you buddy.

Couple of other projects looming on the horizon, would love to talk about them and share but some odd things have been happening lately that have made me paranoid about sharing ideas online. Some high-profile filmmakers and companies I've had dealings with have come out with projects that are almost identical to some I've had over the years and posted on here.

Maybe I'm being silly, these things happen, as they say: There's nothing original under the sun. But when a big company comes out with and ad campaign with monster puppet suits, and you think: "Hey, they look just like a design I did 3 years ago for a short film that never got made!" Coincidence? Maybe. But then you find out the company you spoke to about making that suit for said short film is the very same company that made these monsters, and you go back to your emails from three years ago and see conversations, description and concept art... you start to wonder if it's really wise to share ideas! - So there will be no more of that from me! All I'll say is that I'm excited about what's coming up and I hope to be able the share it with you soon.

Meantime:

FOR SALE: €15.99

As part of my fund raising efforts for Derleict I'm going to start selling 140 on DVD, if you would like to purchase a copy of the movie you've been reading about for near two years! You can do so by clicking 'Donate' (on the right-hand bar) fill the box with for the amount: €15.99, which will include postage and package. Include you name and address and I'll get one off to you that day.

FOR SALE: €20

I'm also selling T-Shirts €20 a pop. Click 'Drop Me A Line' to the right and we can arrange size, colour and payment (range is limited).

Monday, October 11, 2010

140 IFI 10.10.10

(Eoin McCabe {Original Songs} Me & Dermot O'Mahony {Music})

The day kicked off with the usual pre-screening jitters! Nothing new there for me. But we must embrace these things! Caught the train to Dublin, myself, Maryann and my brother Noel. Went straight to the IFI, where I met Sunniva O'Flynn, the curator there. We all grabbed a coffee and I talked with Sunniva about the film and what we might talk about during the Q&A. Then did a tech check, where everything seemed fine. Calms the nerves to stay busy beforehand I must say!

People started to arrive, some friends, Eoin and Dermot, the musical department of 140! At 1pm we pilled into Cinema Screen 3. Beautiful room, seating curved around the screen, in fact the same screen I saw Spirited Away in a few years ago! It was a small turn out, I had hoped there'd be a bit more, only about 22 people - and none of the Irish 140 filmmakers, which was a disappointment, especially considering 5 of them live in the Dublin area! And especially when you think all the LA filmmakers showed to both California screenings, actually flew me to the first one and attended the one I missed on my behalf! Oh well, I guess the Irish are... less enthusiastic about such things! But I know people were busy, working and even out of the country - a disappointment nonetheless

Started the screening with some technical hitches. Pauses in the tape due to the transfer. Happened about 4 or 5 times and for a moment I thought it might spell a disastrous end to the day! To be honest I wasn't panicing about it, if we had to stop I planned to take everyone's address and send them out a free dvd of the film. I would have also done the Q&A anyway, so people would have had some kind of experience to go home with. Kind of backwards, see the Q&A and then go home and watch the film!

As it happened it sorted itself out and after the first 15 minutes there were no more pauses. People seemed to enjoy the film. Being a typical filmmaker I was watching the audience rather then the film (I've seen it a hundred times anyway!) and no one was twitching or shifting, always a reassuring sign!

The Q&A afterwards was really enjoyable. Sunniva was very enthusiastic about the film, which was great. Good questions from her and from the audience made it enjoyable. Overall, despite some disappointments, I thought it was a successful screening and I really enjoyed myself. And of course it was a great honour to screen in the IFI.

You never know how these things will go, and you can't really be too worried or disappointed if only a handful of people show, or there are technical problems. Each experience is different and offers something unique. For me this was an intimate screening with friends in a fantastic venue with an enthusiastic host - can't really ask for better than that.

My sincerest thanks to everyone who came, to Sunniva O'Flynn for her enthusiasm and support and to the IFI.

Thursday, October 07, 2010

fyi.

(140 on fyi. on e3 "You've heard
about the facebook movie, well,
What about the twitter movie?")

Building up the European Premiere at the IFI on Sunday. Had a bit of press from it, local papers, off to do another interview for local paper in an hour or so. The Irish digital channel e3 picked it up for their fyi. show, you can watch here, second story. Little mention on the Film Ireland website too. All helps to pulls the punters in! Hopefully we'll get a good crowd, I'm not expecting too much, never do, saves on disppointment! But hopefully there will be a few in.

I also did a blog for the Heartland Website, which you can read here. All about my connection to the festival, and the importance of making connections at festivals. Which will be the theme of a conversation I'll be having with Elliot Kotek and Gustavo Ron on the 18th of October, via Skype, as part of a seminar at the festival (I only wish I could be there in person!)

Thursday, September 30, 2010

140 Irish Premiere!!!

I'm very excited to announce the Irish Premiere of 140 at long long last!!!

It's going to be taking place in the Irish Film Institute on Sunday October 10th at 1pm! I'm thrilled! Thrilled to finally be able to show 140 to an audience in Ireland. And thrilled that it's happening in the IFI! Bit of a dream come true if I'm honest!

I used to frequent the IFI when I was at college (then the IFC) I was in there most days, buying videos, books, postcards, posters and imported magazine that were available nowhere else - as this was, I'm showing my age, before the internet was in every home and so widely available! I remember seeing John Lassater there in a retrospective of his career and the premiere of Toy Story 2. Followed by a Q&A, where he signed a poster for me (which hangs framed beside my DVD collection! Geek Alert!)

I know many prestigious directors have screened and appeared there, so it's a special honour to be joining them... not that I'm comparing myself to any of them! This is just a great opportunity and I'm grateful for the chance to be able to show 140 in such a great venue. My huge thanks to the IFI and Sunniva O'Flynn, the IFI curator, for agreeing to show the film.

Tickets are available at the box office and from their website! I hope if you're in, or close to, Dublin you'll pop in and check it out. I'll be there for a Q&A afterwards... please come and ask lots of questions, I love talking about the film.

See you there!

(The October Programme, 140 is on page 21.
Bit of a coincidence being in the same issue as
'The Social Network'! Considering the theme!)

Saturday, September 25, 2010

Some News...

I can finally announce, and I am very happy and proud to do so, that 140 has been Officially Selected as part of this year Heartland Film Festival in Indianapolis.


I'm very excited about this. I think I've mentioned my relationship with Heartland before, but just in case you don't know - I won a Crystal Heart Award in 2006 for Emily's Song, Bill, For Short was an Official Selection in 2008 and of course, it's where I met Maryann, my wife. She was the film programmer in 2006, so if I hadn't been selected, won the award and gone, we never would have met, fell in love, got married and had Evelyn! So you can see why I have a strong connection and appreciation of the festival!

Monday, September 20, 2010

We Live In Hope.

Hmm, bit of a dilemma at the moment - wether or not to move ahead with an idea I've been harbouring for almost a year. It's a feature, but the idea is to shoot for nothing in five days. I think it's doable, I just need certain people to say yes and commit to make it happen.

Might step on the toes of Ghoster a little bit, but probably not that much. Ghoster is a much bigger production than this and needs a lot more time, and probably couldn't really be done without some investment. I'm going to ask a few people, see if a few heads are willing to jump in for a week long experiment. If it works, I think it could be really cool. If not - hey, it's only a week!

If it looks like it's going to happen i"ll post more about it.

Meantime, screening of my short films as part of Culture Night on Friday 24th, in association with Nexus Art Project on West St. in Drogheda, the old ACC Bank building - 6:30 - 10pm and it's free. I'll also be screening a film that has inspired me and one I love, Tokyo Godfathers. It's also a tribute to Satoshi Kon, one of my favourite directors, who died last month aged only 46 and in the middle of his latest film.

On Wednesday I'm attending a Screen Directors Guild of Ireland event, a conversation with directors Michael Apted and Alan Parker (Peter Weir was supposed to be there, but I guess he pulled out) I've met Michael Apted before, at the same festival where I met my wife in fact - Heartland 2006. He was there with Amazing Grace, I was there with Emily's Song. Lovely man, complete gentleman. So should be fun.

I did an interview for French television show Les Film Faits A La Maison last week, via Skype. It was interesting, spoke for 30 minutes about 140 and the internet and the positives and negatives of using it to make films. They'll edit my answers and use them in a show at a yet-to-be-determined date, but I will certainly post it when it airs.

Apparently the Downtown Film Festival screening was great. Got a bit cold, but people stuck it out and the reaction was positive! Trampas Thompson introduced the film, thanks Tramp! Another fest coming up soon, will be able to announce later this week. And big screening in October, again, announcement to come!

OK, I'm off to see if I can put a feature film together in Five weeks! Hah! Right... I hear you say. Well, we'll see!?!? We live in hope.

Sunday, September 12, 2010

Alot About Nothing.

Sorry, two weeks since the last blog. Not much happening. 140 had it's screening at the Downtown Film Fest in LA last night, haven't heard how it went yet, LA is still sleeping!

I've started the rewrite on Ghoster. Just getting the beat sheet out. Haven't had much time on it. Being a stay-at-home Dad doesn't leave much time for writing! Will get to it soon I hope.

Still waiting to hear back on Iscariot. Been with the producer for 2 months now and no word. So not sure what the deal is there. Hopefully find out what the plan is, if any, soon.

I have a few things coming up, none of which I can announce yet - typical! Raise My Hands the short film I did with Elliot Kotek and Scott McDermott is on hold, it's finished, but we have to wait for word, or approval, or something, from one particular organisation before we can release it - if we can release it, may turn out to be a big fat waist of time! I hope not. It's a great piece. Powerful and moving and I'm proud of my work on it. Fingers crossed.

I have a big premiere of 140 for Ireland, in a great venue, the venue. But need to confirm some details and wait till they go to press before I say what it is.

Another Big fest coming up for 140 in the states, again, have to wait till they're ready to announce! Sorry! Maybe I should just not post this blog, it's a whole lot of saying nothing about stuff that's not happening! Think how great the blog will be when I do get to say stuff's happening!

One thing I can announce is that all my shorts, Emily's Song, Bill For Short and Slán agus Beannacht, will be screening as part of Culture Night here in Drogheda, introduced by my good self and in association with Nexus Art Project. I will also screen a film that has influenced me, which I'm taking great delight in! I love sharing films with people, even if they don't always like what I suggest! It's like a tiny glimpse into my workings and where I've come from. I'm not 100% sure of what to screen yet I'm back and forth on a lot of things. I had an initial idea, but then I start thinking of all these other amazing films! I'll narrow it down. I'll think of something good. That's on the 24th of September!

Not much happening on the Ghoster front with regard to production. I was talking to a producer recently, who's had quite a successful career in this country, but is finding it near impossible to get stuff going at the moment, even with a green lit project they can't quite get all the cash they need to pull it together! Production companies are closing down all the time. Films just aren't getting made. At least not as many as have been in recent years.

But maybe that's just at the higher end of things. I still see a lot of people getting no-budget stuff up and running. Films made on favours, goodwill and pure grit and determination. I know Terry Mahon, who's efforts on his own film were part of the inspiration in getting Ghoster off the ground, is in post on that project 'Charlie Casanova'. I notice Jason Figis' retelling of 'A Christmas Carol', 'Savage' is coming out soon (though that's a micro budget IFB film), Paddy O'Shea has been shooting 'Treekeeper' all summer in Cork. I'm just getting into 'Covies' by Len Collins, which is actually a Web Drama, but it's a no budget piece that was made independently with local help and people working for biscuits! And of course not forgetting my favourite Web Series 'Vultures', also shot on a shoestring. From what I've seen of all of them, they're quality work and entertaining and the fact is, people are doing stuff. Gives me hope for Ghoster.

But we'll see what happens. You never know what around the next corner.


Monday, August 30, 2010

Taco!

I'm excited about the LA screening of 140, little bummed that I wont be in attendance! Sounds like it's going to be a fantastic screening.

It's screening on September 11th as part of a Downtown event called 'Taco Cinema', where dozens of gourmet food trucks gather in an area called the Medallion (coincidently, last time I was in LA my good friend Trampas told me about this event and how great it was!)

(Some of the locations of the festival. Top Left: The Medallion Area. Above Right: LA Gourmet Food Trucks. Middle: the penthouse of the Roosevelt, where the Filmmakers reception is taking place.
Bottom: The Roosevelt.)

There will be a food festival all day, which will end at sunset (8:30pm) with an outdoor screening of 140! Sounds fantastic. I always though 140 would make a great out door movie! I'm sorry to miss it. But it should be well represented by the LA filmmakers, who I hope can all make it. They blimmin better, if I could afford it I'd fly across the world for this, thems lucky sods just have to trip out their back doors! ;)

Anyone in the area interested in attending tickets are only $10 for the entire day. Check out the listing on the Downtown Film Festival website.

Post a comment or send me an email if you do attend, I'd love to hear about it. Enjoy!

Thursday, August 26, 2010

Precious Little Things

Some wonderful news, 140 has been officially selected to screen as part of this years Downtown Film Festival Los Angeles! I'm very excited and honoured. I was really hoping for this one. it looks like a great festival and I really wanted an LA screening of the film, as so many of the participants are from there. So I guess this is the official LA Premiere!

I have a another festival lined up for October, but I can't announce that yet. So the fest run has well and truly begun, PHEW! I was hoping it would next month, and so it has. I've entered quite a few, so hopefully a few more will pick it up.

Ghoster news: Not much happening I'm afraid. I put an open call for crew on filmmakersnetwork.ie, but got no response, disappointing, I was hoping some friends or passed colleagues would answer the call, but it was not to be. I think it's a hard sell asking people to give up so much time and energy when there's no money in place, just the promise of money... I've always said you can't pay the rent on promises. So I get that. I think I need a different tac. Not sure what, I suppose money would help! But where's that going to come from. I guess I'm creatively minded, so time to get creative!

I haven't started back on the script yet. I've been thinking a lot about it though. Making sure I'm ready and know exactly what I want to do with it. I'm playing with the idea of a couple of different angles, changing the lead to another character and seeing how that plays in my mind. I want to be sure I'm right before I write.

So everything's still up in the air at the moment. Nothing concrete. No crew. No cast. No money. But where there's a will there's a way. If you will it, it is no dream. Throw your heart in front of you, and let you head catch up... and all that stuff! I think any film that was ever made, especially independent films, was willed into existence be sheer force of determination. Nothing tangible at the start, just an idea and we all know what precious little things they are!

That's all for now. More news soon. Couple of new projects to talk about, including a completed short waiting in the wings. But more on all that later.

Friday, August 20, 2010

A Call to ACTION!

Here's a recent post I put up on filmmakersnetwork.ie as a call to action for Ghoster, figured I might as well stick it up here as well:

I need a crew, position are open for everything.

Production Department:
Producer:
Production manager:
First AD:
Production Assistant:
Script Supervisor:
Continuity Supervisor:
Make-up Artist:
Hair Dresser:
Stills Photographer:

Art Department:
Production Designer:
Set Decorator:
Props Master:

Camera Department:
Cinematographer:
First camera assist:
Loader:
Lighting Technician:

Sound Department:
Sound Mixer:
Boom Operator:
Sound Designer:
Composer:

Other Departments:
Location Manager:
Location Scout:
Transportation Manager:

I’m hoping to shoot late January/early February in Drogheda, provided I get the above, plus a cast of course! I held a reading of the script at the Attic Studio last year, which went great, the script was really well received and all of the actors who read did a fantastic job. I’m confident I can put a great cast together.

At the moment the positions are unpaid. I know I know! But I’m working on that. I’ve started a fund on IndieGoGo and will hold several fundraisers in the lead up to Christmas. Initially I’m hoping to raise enough to cover equipment, expenses, food and insurance.

Obvious this is a feature, not a short, so I expect the shoot to be between three and four weeks – a lot of which will be night shoots!Baring that in mind I understand who BIG an ask it is to sign up unwaged at this stage, which is why I’m going to do my damnedest to arrange something. But I want to be honest, there is no money in place as I type! I have blind faith it will come. Those who have worked with me in the past can hopefully vouch for my word on that!

In the meantime I’m looking for talented people with a lot to offer. People who can help me craft something special. People who are willing to seriously commit to the project and come on board as collaborators and the stay the course, who will bring their own creative ability and energy to help drive the production forward and who truly want to be a part of the project. This is a very personal one for me, it’s been with me for many years and is close to my heart – as it’s largely about my own family!

So whether I’ve worked with you before, talked about it, never met you, only spoken to you, whether you’re a recent graduate an impassioned self-taught prodigy or a seasoned pro, if you’re is seriously interested and have something offer I’d love to hear from you. You can PM me here or go to my blog and look for the “Drop me a line” button on the right panel, with any questions. I can tell you more about the film and my plan.

Thanks for reading! I look forward to hearing from you.

Please follow along too on Facebook.

Sunday, August 15, 2010

GoGoGhoster

Well, it's full steam ahead on Ghoster. I've started the usual publisity and fundraising campaigns:

The Facebook Page (please 'Like' and 'Share')
It's GoGoGhoster on IndieGoGo (please donate and share!)
and
The T-Shirt Shop! on Zazzle (please buy and wear!)
(All the links are also over to the right here ->)

I used Kickstarter for 140, which was great and worked a treat, but I've found with IndieGoGo it offers a bit more freedom. For example, unlike Kickstarter, I don't have to raise every penny to get the money, it's available to me immediately, so it can start help the production straight away. I'll probably let it build up for as long as possible, and as with the 140 money, I'll be completely transparent on how it's spent.

I've but up reward for the donations:
$25 pre-orders a DVD.
€50: DVD and Poster.
$100: DVD, Poster and Prop.
$150: DVD, Poster and T-Shirt.
$250: DVD, Poster, T-Shirt and signed directors shooting script.
$500: DVD, Poster, T-Shirt and a Frame Original One-of-a-kind still, taken on set by the professional stills photographer.
$1000: DVD, Poster, T-Shirt, Frame one-of-a-kind still & 5 more, unframed, limited stills. Everything is signed, poster by all cast and crew.

The money will be spent on everything to do with getting the film made: Equipment rental, expenses, insurance, post production, promotion. Same with any t-shirts sold, all royalties will go directly to the production.

Getting all this up and running has certainly got the fire in my belly stocked again. I think I've mentioned that I've been feeling somewhat uninspired of late and after finished two big projects like I was twisting in the wind a bit. But this has focused my mind and my energy. I hope I can pull it off!

So I'm going to get back to work on the script, get a next draft done and start to gather the people and tools I need. I hope I have enough goodwill left. Sometimes I feel like I've used all my lives on Emily's Song, where everyone worked for free and friends and family donated so much money and energy. Bill, For Short, where again, people worked for free. Slán agus Beannacht, again, cast and crew for free and the generosity of the friends help pay for it and of course, not to mention 140, were filmmakers from all over the world worked for free and friends, family and complete strangers pitched in to help me promote it.

I've been very lucky to have been able to make my films and that so many people have given so generously of their time, energy and belief. I'm awed and humble at the same time and always thankful.

Thursday, August 12, 2010

Love in the time of Recession.

(My Dad, and part of the inspiration behind Ghoster)

OK, I'm finally utterly fed-up of not doing anything and faffing around waiting for the next project to magically arrive at my door! So time to change that and the fact is, I already have the perfect project. It's a script called Ghoster, you may have read about it before in these pages.

It's a story I've been wanting to tell for as long as I can remember, since I was a kid working summers with my Dad and my Uncles. I've been thinking about writing this script for more then 10 years and I finally did at the end of 2007. I spent 2008 developing it, which ended in a reading at the attic studio that was a resounding success where everyone really enjoyed it and told me I should make it. That was in January of 2009, and the last time I did anything with it. I still love the story and while the script needs a little work, I think it holds up!

So here it is - I have no cast, no crew, no equipment, no locations and absolutely no money, but I want to make a movie - Who's with me?

About:

It tells the the story of Kevin and Connor, two brothers in their 20s working as painters on a building site with their Dad, Fred, as their boss and their extended family of uncles and cousins as work mates. Kevin feels caged in and ready to explode, he has lost all respect for his father and wants to escape. It's about the complicated male relationships in a family where nothing is talked about... but it's also blokes on a building site, so it's bloody funny as well.

The story takes place over one night a few years ago. Set just as the recession was about to happen and right at the end of the building boom, it's the last job before they break for Christmas and an uncertain future. They have three houses to paint in one night, so they have to pull a Ghoster. If they do it they get a big bonus, something they all need.

But there is more going on. Marco, the oldest of the brothers and the main boss, keeps disappearing. Soon the police come looking for him. The relationship between Kevin and his father Fred reaches breaking point with Connor in the middle. The rest of the crew struggling against tiredness, the cold, slacking workers and disappearing boozey painters to get the houses finished for morning.

So if you want to find out what happens between Kev and his Dad, why the police are looking for Marco and if they finish the job on time maybe you can help see this film realised and have those questions answered up on the big screen!

Shopping list:

A Big Cast of talented actors!

A Brave, tireless, talented crew of hard workers!

A building site location for use over two/three weeks.

FOOD! We have to eat! Any supermarkets or cafes out there who'd like to help please send anything you have our way, we'll eat it!

Equipment: A Camera - Maybe two! Lights. Sound equipment.

And everything else needed to shoot a feature film!!!

I'd like to work with a good cinematographer, someone who understands light and has worked at night before, who's willing to improvise and work fast. This is a drama, set on a building site at night, in the cold with a bunch of lads in dirty clothes, but there's no reason we can't make it visually arresting and beautiful to look at.

The cast is the most important piece of the puzzle. This is an ensemble piece, 15 plus cast members all interacting with one another and playing off one another and all with different relationships. Timing and chemistry are everything. We have to believe this lot are family, and family who love and hate each other at the same time all the time.

The cast is as Follows:
Kevin (26)
Connor (24)
Fred (49)
Captain (52)
Maz (34)
Banjo (33)
Marco (59)
Caper (29)

Skinny (58)
Meehan (59)
Kathy (46)
Alex (female) (28)
Alco (40)

Joe the Carpenter (40)
Cop 1
Cop 2

There will be a casting process and I'm looking for the right people in the right roles. I have some people in mind already, but I'd like to be surprised as well.

I love the characters, the humour and heart that runs through it. I think with some belief, commitment, good will, energy, effort and the right people, we can make a really great piece of work we will all be proud of and will stand up as something special in modern Irish cinema.

Being somewhat realistic I'm aiming for a January/February shoot. I think it'll take that long to gather everyone and everything we need. Perhaps between now and then I can raise some money too!?!?

I'm just looking to create some love and fun in a time of doom and gloom! I can't think of a better film to be made in these times. I want to make people smile and laugh and bring a little light into people's lives'. So again I say - WHO'S WITH ME?!

If you're interested in getting involved by donating time, money, equipment or supplies please contact me, the details to do so are to the right - click 'donate' to make a donation via paypal, click 'Drop me a line' to email me. No time wasters please! Anyone who has worked on a feature film (or any film) before knows what size task and commitment this is and what I'm asking here - ALOT, but it will be worth it. I need people who are fully willing to commit to that task - Whole Heartedly.

My thanks in advance.

Tuesday, July 20, 2010

Flat Tires and Wrong Turns.

(140 DVDs)

I've had a considerable lack of energy this last month. Perhaps it's the high pressure in the weather. I think it might be to do with the fact that I've just completed to major projects, 140 and Iscariot. Of course, we had the premiere of 140 in May, which was a huge deal. I came home feeling energised. I had the kickstarter money in hand and print material, DVDs and everything else to get organised.

While I was doing that I was also finishing Iscariot with Thomas, a project (I'm sure you know by now) we've been working on for 2 years. We finished it, at least well enough to give it to people to consider. And luckily we found a producer who is strongly considering it, maybe even more then that, but nothing is official yet, so no point talking anymore about it until it is.

So two major finish lines cross, both in the same week and right now I feel like the flat tire of a bike that's just completed the Tour De France! I'm exhausted and drained.

I have several projects I want to move onto. I'd love to get back to Ghoster and apply the new techniques I've learn on Iscariot to that and even try to put it into production. I'd love to get back to Nevermore and bring that up to scratch. Bad Moon too. I've love to finish Cats of the Crescent. I have new ideas I want to start and I'm even talking to a friend about a five day feature to shoot later this year. But honestly, I don't have the energy for any of it.

Every time I sit down to start writing some I find myself on Facebook without remembering the turn. I don't drive, but the late night drive home from work has often been described to me, how you look up and realise you're nearly home and you have no recollection of the last 6 miles! You wonder if you were asleep, or at least the conscious part of your brain was asleep and somehow your subconscious drove the car! I feel like that.

I suppose the Ridley Scott film knocked it out of me a bit. While I've remained philisophical about it, it certainly knocked the wind out of me. After a year and a half of work to suddenly realise one of the seminal directors of our time is doing the same thing, kinda takes the shine off it. With Iscariot too, the producer we spoke to wasn't willing to back the script with us as directors, which is why we wrote it, to direct. But we came to realise to stand a chance of getting it made anytime soon, if at all, we need to let someone else take the reigns, take the writing credit and hope for another opportunity further down the road. After we get some legit feature film credits to our names. I think both events have made me realise how far down the pecking order I am, and after 10/11 years of trying to get films made, it doesn't feel like I've gotten very far!

Isn't it interesting though, I have a feature doc sharing press with Ridley Scott and Kevin MacDonald, that people seem to want to see and by all accounts is a success, at least in terms of the project that was set out. I have a feature script in the hands of a producer who wants to make it, and seems excited about it, yet I still feel unfulfilled, disappointed. Strange. I guess it's all part of the journey.

But whatever about all that. I need to get back to work. I have a film half completed on my hard drive that involves the work and commitment of others, so I need to get on that! I am excited about the other projects, especially the prospect of shooting before the end of the year. So I need to pick myself up and dust myself off and get on with the job at hand.

Sharing Press with Ridley Scott:

I've also started uploading the 140 clips in full on Vimeo. Check them out to the 140 Vimeo Page.

Thursday, July 08, 2010

Strange Days!

To say the least!

I've had a very interesting couple of days. Yesterday I had planned on going to Dublin to finally drop off 140 for DVD duplication (which I did, eventually). I awoke to find the little red light of my blackberry flashing. Nothing unusual about that. I often get a few emails during the course of the night. But not like this. Not with such interest news attached.

(Ridley Scott)

This link lead to an article about Ridley Scott's new film, something called 'Life in a Day', with him producing and Kevin MacDonald (Last King of Scotland) directing and editing. The film is a social media experiment, a crowd sourced, user-generated, internet film that requires people from all over the world to capture their day and send in footage to be edited into a visual montage of personal moments that will become an experimental documentary... sound familiar at all? I can give you 140 reasons why it might!


Alot of people have been outraged on my behalf, Click Here to see what Movie Line said about it. I also commend the loyalty and spirit of friends and family, but I think this is a positive. Hey, I'm excited I'm getting some press, that 140 is being talked about and that my name is side by side with the likes of Ridley Scott! I never thought that would happen.

It's fantastic that someone like Ridley Scott is experimenting with this kind of filmmaking. And if he's doing it then maybe I'm on the right track! With digital filmmaking, technology and what the internet has become, people are exploring these avenues. There are bound to be similarities early on. I wonder how many films there were about trains pulling into stations when the Lumiere Brothers started?!

I do hope Life in a Day doesn't over shadow 140. I'm not sure it will. But you never know. But then again, it just might shine a light on my little film, and that's only a good thing!

But talk about David and Goliath!

Monday, June 28, 2010

Poster Quotes!

Thanks to everyone for watching Slán over the weekend, I appreciate you taking the time out and I really appreciate your comments. So much so I thought I would share then here!

"...so powerful Frank. I have to say I shed a few tears. It definitely represents and illustrates something that is happening in Ireland right now..." Justina Cowley.

"...enjoyed every secound of it..." John Black.

"One word.. brilliant! more words... Totally reflects an increasingly growing and worrying element of society, and also documents how within a generation things have changed so much. Great work Frank, you are someone this town should be very proud of." Keith Byrne.

"...sharp acting, cinematography & writing! "Progress is a speeding train, Pat..." "I'd rather walk, thank you." Beautifully written, well-told story. (Excellent music selection as well.)" Christine Reynolds.

"...once again a poignant story told with such heart." Rachel McEeaneny.

"...truly great!" Laurie Leech.

"Fantastic work. Great character study and commentary on changing times. As relevant here in the States and I imagine around the world." Robert Zappia.

"Watched your film twice this morning; listened to the closing credits, like, 15 times. Seriously, brother, awesome." John Burton.


"Rubbish!.......is not a word i would use to describe it." Rob Kearney.

Maybe I should put them on the poster!!! Thanks Guys, very much appreciated.

Sunday, June 27, 2010

Addressing Some Issues.


The screening of Slán agus Beannacht over the weekend raised a couple of interesting points since going live yesterday. One, the loss of a more traditional ways of doing things and the loss of one on one human interaction. Also the portrayal of teens as being dangerous thugs.

I'll address the first point first. It's weird to say, only being in my 30s, but I look back on my childhood as a completely different era. Makes me sound old but that was before the advent of the internet, mobile phones, electronic telephone service and the home computer to a large extent. It was a simpler time, where imagination was our play toy and the world outside, the fields and the forests was where we let it run wild... not a computer console and the worn out carpet in front of the TV! I clearly remember the day my childhood changed forever and I was set on my path. It was the summer of 89 and my best friend got a second hand Commodore 64.

I remember calling to his house one Saturday morning thinking we were going to set off on our day long adventure out the old tracks to a forrest some miles away as per usual, but it was not to be. He was loading a game he wanted to play. And as we sat for what seemed hours in his small shaded room, north facing with the sun cascading down some distance away, waiting for this tape to load, I got bored and decided to head off on my own. I didn't realise then but I would be making that journey on my own from then on, as one by one my childhood friends would succumb to the radioactive green glow of digitized computer graphics and the soft blip-blop of supposed alien space craft laser beams. Computer games stole my childhood adventures, and that's probably why I have never played them, not to this day.

I'm a slight contradiction though. I do actually love modern computers. I love my iMac and love what it has enabled my to do and how it has empowered me as a filmmaker. I love programs like photoshop, final cut and final draft. I love gadgets, I own a blackberry and I will get the iPhone 4 and possibly, hopefully, the next generation of the iPad and more then likely, whatever new iMac is on the way!

But I still like the old traditions, I like the one on one Human way of doing things. In our endeavour to make thinks more convenient we've become more complication and alienated and we've fogotten whats most important, human connection. In large part 140 was a continuation of this idea. I wanted to break the barrier the internet provides and make people reconnect and use the internet as a tool, almost against itself, to do that.

I miss Bosco (my rent collector) calling to the door to collect the rent. I miss chatting with him for 5 minutes before he moves on. I hate HATE calling eircom (or whatever company) to fix a problem and being sent in circles for 20 minutes before I get to talk to someone who inevitably puts me on hold. I miss the old glass countered sweet shop, I miss the leather smelling shoes shop with boxes pilled to the ceiling, I miss the barbers on the second floor with the old man reading the newspaper and the radio playing some diddly-i tune, I miss the cattle walking through town and the random shops down crocked cobble stone alleys, I miss the small dusty book shop and the cafe that served tea and coffee, and just tea and coffee. I guess it's a longing for simpler times in a world that seems to have over complicated itself.

When Bosco was taken off the streets after 35 years, on a route that had him see 500 people a week, and put behind a desk to sit in front of a computer until retirement, I was sad for him and I mourned the passing of an age. This film was a dedication to that age, and to Bosco. You'll see that the film is for Sheila. Sheila was my Grandmother, who died two years ago this month. I live in her house now. Bosco would have collected rent from her for the 35 year she lived in this house, and I'm kind of glad she didn't live to see his passing. the final nail in the coffin for that generation, now gone.

The other issue raised was how youth is portrayed in the film. A marauding teen gang stalk the rent collectors and the film opens with a beating and a mugging. I suppose what this gang symbolises is what's modern, and how there is a general distain by the new for the old, and how it pushes aside the old without care and consideration. Traditions are lost. Respect is not even considered.

I can understand the point being made, that youth gets a bad rap in films. That may be the case, but I don't think it's a misrepresentation. I think, I know, that side of society exists. There are people out there who have no consideration, no only for old traditions, but anything. People who would stab you as soon as look at you. Steal from you without a moments hesitation. Even while making this film I had some strange encounters, things which never happen me. When I was scouting the park where Pat is attacked I heard a voice call out, "What are you fuckin doing?" I look around a saw three teens, two girls and a boy, 15/16 years-old, standing near the water drinking Budweiser, "I'll fuckin slap the head of ye" he went on to say. I shook my head and moved on.

I was tempted to continue the conversation in a less cordial manner, but I didn't see the point. This area had been in the newspapers recently because of kids with knives and air guns threatening and attacking people walking their dogs. So regardless of the fact that I was twice the age and size of the kid I didn't really want a knife in my side! Bear in mind too that this area is right beside my parents house, I grew up there, played there everyday as a kid, and now I'm being threatened in it.

Another incident happened when we were shooting the first scene where the teens attack Liam. We were in an area that again has been in the news for incidents like this. I thought we'd be safe going down there mid afternoon on a sunny day. But then some kids started to arrive, a bit annoyed that we were in there spot, but they moved on, great I thought, fair play to them, feeling a little guilty that I was portraying them in such a bad light... until they started throwing rocks at us, almost hitting us and the equipment, including a case of lenses worth ten grand!

The fact is that this is an element of society, it always has been and always will be. You just have to go back to films like Clockwork Orange, or even as far back as the slightly more naive The Wild Ones, or even Rebel Without a Cause. It's nothing new. It's rebellious youth raging against whatever they can. Unfortunately, perhaps more now, the level of violence has escalated and people are being badly beaten and sometimes stabbed. It's just a fact. I'm not going to shy away from it to spare feelings if that's what the story is about. And it is just one story about one incident, it's not suppose to be a representation of all teens, you have take the film on it's own terms.

Another fact is that this is actually based on true events. In my research I asked Bosco if he had ever been mugged and he said no, but a colleague of his had and been so badly beaten that he was left in intensive care, which is what sparked the decision to take the rent collectors off the streets.

I don't think all teens are like this, of course I don't, I work with them! I cast them in this film! And I think that shows that I do have respect for youth, but a creative, intelligent and constructive youth who put the energy into creating rather than destroying. I've worked with Shane and Eric twice now, they played the kids in Emily's Song and I loved working with them. I love their energy and creative spark. I hope to work with them again in the future and I hope to be able to work with other kids and teens in future projects because they bring so much positive energy and fun to set.

There is a moment in the film which offers some hope I think. When the teens run after mugging Pat, the camera catches Andy before he runs and we see his shock and regret. He plays a character who has fallen in with the wrong crowd and just gets caught up in the moment, never expecting it to end in such a violent manner. Which I think is often the case, while teens can be load, boisterous, sometimes intimidating, there not all bad, but in certain gangs, in certain situations it's one bad apple who can push things that little too far.

Well, I hope that clears a couple of things up. I really appreciate people watching and leaving comments on my facebook page. The film will be taken down tomorrow, so catch it while you can. Thanks.

Saturday, June 26, 2010

Slán agus Beannacht Goes LIVE!


You know I figured I made a film, it's sitting on my computer and no one's watching it so I'm bloody-well going to show it!

I've been holding off because I still want to enter some festivals and hopefully find distribution and maybe make some sales for broadcast, but I also want people to see it. So I'm going to have my cake and eat it too. So I'll abide by the rules of most festivals and distribution deals and only have up for two days, this weekend, until Monday morning.

It will go live at 7pm... that in one hour! And be up until 11 AM monday morn. So if you want to catch it head on over to Vimeo http://vimeo.com/12871495 and enjoy. Do leave a comment and let me know what you thought, great thing about the internet that, you can be interactive with your audience. I'll be available to answer any questions you have or discuss any thoughts or be really ANGRY if you don't like it... nah, not really, I'm far too diplomatic!!!

Enjoy!

Thursday, June 24, 2010

IT'S ALIVE!

Courtesy of Shannon Mullins.

Wednesday, June 16, 2010

Tuesday, June 15, 2010

Done.

Well that only took two years!

Why did it take so long?! Lots of reason. We're not slow writers, honest! But we have limited time together to write. Thomas has a job a fair distance away and a wife and two kids! I have my own family now, though I didn't when we started this!

We first discussed this script when I was visiting my wife, then girlfriend in America on the trip when I asked her to marry me. We later got married got married. My grandmother died. And Thomas and I decided we would write Iscariot (then Night) together after a conversation at my grandmother's funeral. We got to writing it coming up to my wedding. I took a break for that obviously. Then in 2009 I shot a short films, Slán agus Beannacht and a feature Doc, 140! They kinda got in the way. Thomas went off to try and make an animated short based on a screenplay we had both written years earlier, to no avail. During this time I fell on one of the most difficult financial periods of my life, we had to close Pale Stone Productions after 4 years and my health was becoming effected. Also my wife became pregnant. We then had a baby! Things got a little better after that and we managed to get away for a vacation for the first time in two years, which also included the world premiere of my film!

We wrote during all of this, grabbing mornings and evenings when we could. And if you look at all the different drafts you might even see how all those things effected the writing. I know during my financial difficulties Thomas was also facing losing his job (which didn't happen thankfully) but the anxiety was there for both of us. That draft was very dark and violent. It's less so now, a bit more fun I think... well, actually - it's still pretty dark and violent!

We never thought about abandoning the script though. We were enjoying it. And I think we knew there was a good story there. We came a an impasse last year when I think we thought we had finished, but I think we just became stuck. We were ignoring major problems in the script. Issues with character development, holes in the plot and some major coincidences. With guidance and advice by some trusted friends and colleagues, Elliot Kotek, Paul Freany and Brendan McCarthy we were able to move forward with clarity. And I think this is a much better draft because of that.

After a reading at the Attic Studio and conversations with Brendan and Paul we began work on a Beat Sheet, something we had never done before but which prove invaluable. Immediately we were able to see where we were going wrong, where characters were repeating themselves, acting schizo, not participating, doing odd things, and all the plot holes, leaps of faith and coincidences came screaming out at us. We then spent 3 month writing a brand new beat sheet where we kept much of the story, restructered the events and brought many new elements and some new characters to the pot.

From that we began working on this draft. But even in the writing of this things changed. We didn't stick entirely to the beat sheet we had spent all that time working out. And I think by allowing ourselves to be creative and allow the characters to take shape more, things changed and it gave us much stronger draft. We're excited about it anyway!

So now the next steps is to get out into the world and into the hands of the right people who can help us make it the way we want to make it, helps us realise our vision. I'm not entirely sure how we're going to do that, but rest assured absolutely everything possible will be done to make it happen... watch this space.

Monday, June 14, 2010

Shadows


(Out of the Past: Nicholas Musaraca)

Welcome to my new-look blog! Thanks Blogger for you cool new designs! Things have been fairly quiet since I last posted, pretty much the same stuff going on, the big break hasn't happened yet!!! I just got the posters done for 140 and I've ordered postcards. I'm in the trying to get DVD duplications done but it's proving difficult, for some reason businesses in Ireland don't seem to want any business. I've been in touch with 3 companies in the last week and not one has returned my calls or emails! Whereas with a company in America I rang out of curiosity has fallen over backwards to give me all the information I need to get my business. I wish I could go with them but it's proving too expensive. Of course I would like to keep it local, but the locals don't seem to care! Frustrating!

Thomas and I are maybe 2 days away from finishing Iscariot. 2 years in the writing and we're coming close to the end! I'm sure there will be more development, and if we find a producer and get money to make it Im' sure the script will change again, but that's only natural. But for now, this is the draft we're sending out into the world to see if we can find that producer, find that money.

I'm really happy with it. We spent a long time and put a lot into it. And I've learned more about writing on this script, employing as many writing techniques as I could find to make it better. I honest don't think I'll ever be afforded the time we've had on this script again. But hopefully we wont have to take this long, hopefully we've learned enough that when the next one comes along we can apply all those new skills immediately and pump it out much faster. Hopefully we'll also be paid for it too and we can work on it full time! Not grabbing 2 hours here and there, mornings when possible, evenings when not! But we'll see. Maybe this script will tell us if we're good enough to actually make a career out of this, or if we're just fooling ourselves!

I think I've mentioned before that it's a dark action thriller, a throw-back to 1940s Hollywood film noir. And we want to shoot it that way. Our hopes for this project are to shoot it ourselves, to co-direct. To shoot it in a highly stylised and highly lit fashion and in black & white. If possible we've even talked about shooting in 1.37:1, or Academy. Which is the format film noir was shot in. It's unused now, everything is wide screen, but there is something special about 4:3, and something that lends itself to thrillers, particularly noir. It's smaller frame, so everything is forced to be closer. It creates a claustrophobic feeling. There's an oppression and buildings and rooms are allowed to rise higher, pressing down on the characters. Of course that'll probably never happen, it'll be a miracle if we get to shoot Black & White!

Most audiences, other then cinephiles, see Black & White as outdated, like VHS. They fail to see it as an extension of the art form. Another way of seeing and portraying things. They don't realise that some films could actually work better in Black & White, some stories are Black & White stories and perhaps they might actually enjoy them more if they saw them in Black & White because story would do a better job of communicated it's tone. What's so special about Black & White is that it creates a heightened reality that is purely and truly cinematic.

Look at the films of Nicholas Musaraca, cinematographer with RKO in the 40s who, with his lighting and shadows, largely influenced by German expressionism, shaped the look of the films that were to become known as film noir. This highly stylised look could only worked in Black & White and lends itself perfectly to the tones and themes of noir. This is the kind of thing we're after. I hope we can pull it off.