Showing posts with label Frank Kelly. Show all posts
Showing posts with label Frank Kelly. Show all posts

Sunday, April 28, 2013

I AM IRELAND - The Relaunch


I AM IRELAND is a project that is close to my heart because it asks something I'm constantly struggling with - What makes us Irish? I struggle with my connection to this country. Am I Irish? What makes me Irish? Is it just the fact that I was born here? Why do I get angry when I see what successive governments have done to this place? Why do I feel let down, betrayed? What do I feel when I think of our culture, literature, art, and am I part of that? What gives me pride? Hope?

As I plan to immigrate later this year these questions, and many more, run through my mind. So I wonder if the same questions, thoughts, are going through the minds others, both here and abroad. When Irish people think of home, what goes through their head?

I launched this project a couple of months ago. But did not have a huge response if I'm honest. And then my life went crazy, my wife got sick, our son was born prematurely, all while I was in the middle of making a film... so I couldn't give it the time it deserved. But I haven't given up on it. I would still like to find out what's going on in the hearts and minds of the people of this country, in a simple, straight forward way.

Of course, I made it way too complicated by asking people to shoot on HD, expertly filmed with expert sound. I see now that was a mistake. Especially as I'm planning to put the film online as soon as it's complete. And it defies what this project should be about, People, from all walks of life, everyday People. And the everyday people of Ireland aren't all filmmakers with access to this kind of equipment.

This should be a shared experience, available to everyone and accessible by anyone.

So in this relaunch I am asking you to answer the same five questions, but film it how you want, where you want, with whatever device you have available. Shoot it on you iPhone, DSLR, whatever you have. I would ask one thing, that you try and email it to me, I'll share a dropbox if needed. Just because I may be changing address soon and it's much easier for me to work that way. If you have trouble with that though, let me know.

So get on your phone, your camera, your computer, rant, rave, scream, shout, let it out, speak in hate, speak of hope, tell me your dreams, talk from your heart about your disappointment and let the confusion that describes you relationship with this country of ours spill out. Give it socks lads!

The 5 Questions:

1. Describe where you grew up?

2. What is your saddest memory?

3. What is your happiest memory?

4. What does family mean to you?

5. What does Ireland mean to you?

Answer these today. Send me the footage.

I've scrapped the deadline too. Get it to me when you can. When I feel I have enough, I'll call a halt to it. But I'll probably just let it run through the Summer, but we'll see how it goes.

Let's talk about what makes us... well, us. Go to it. Shoot yourself in the head... with a camera. And send me what spills out!

I Am Ireland, are you?

Saturday, April 27, 2013

Ablevision Film Complete

Joe & Sarah
The Ablevision film 'Joe & Sarah' is complete. I finished the edit this week. Then a sound mix, music and grade. I'll go back in for some tweaks before the premiere, I got the final music mix after I was finished, which I do want to put in, because it's good! Dermot O'Mahony pulling it of the bag again! But it's as close to finished as you can get. I'd be happy enough to sign off on it now, but while I have the time I figure I can make it that tiny bit better.

A challenging, interesting, enlightening and highly enjoyable experience. One which I would definitely repeat and recommend any other filmmaker to do the same if the opportunity came their way. In fact, if you are interested in getting involved and offering your services to Ablevision, you should drop them a line via the website: http://ablevisionireland.com/ great group of people and a great opportunity to do something different.

The premiere of the film is part of their own film festival, the Ablevision Film Festival, taking place on May 17th in the Droichead Arts Centre in Drogheda. It's an all day event, a mini-fest of sorts, with workshops in the morning, screenings in the afternoon and an award ceremony to finish. Tickets are only €2 and you can book here.

One of the talks will be by yours truly. I've entitled the talk 'From Script to Screen Without a Bean: Secrets of no and low budget filmmaking' and I'll talk for an hour or so on how to get a film up and running when it seems impossible. It will be aimed at first-time, independent, student and amateur filmmakers. Come along if you're able.

Some Images:

Daddy's none too pleased!

Has Joe made the right decision?

A helpful stranger.

Out in the cold.


Tuesday, March 05, 2013

I AM IRELAND


I AM IRELAND is a new collaborative film project that will look at what it means to be Irish today. 

I want to make a simple documentary about the people of Ireland. One that captures the mood in the country and among the Irish people right now. It's not politically geared, I just want an honest film. It's about you, your family and your country.

So I'm asking Irish people, the country over, and indeed, the world over, to join the project. Where ever you may be, I want you to get involved. You don't have to do much, just record yourself answering 5 questions and send the footage to me. That's all. It'll take you 30 mins, tops!

If you would like to get involved, drop me a line, either comment below, or email me (find the Email me button on the right) I will send you the 5 questions. I will cut all the footage together into a film that will hopefully be an insightful, honest and personal piece about Ireland today. And as the Irish are natural storytellers I imagine it will be funny, sad and poignant too. 

I don't have a figure in mind for participants, maybe between 60 and 100 to keep it manageable, and ideally people representing every county, all 32. The deadline for delivery is June 30th. Anything delivered after that wont be put in. Sorry! I want to cut in July and August and have the film up by the end of the Summer. In the past I was too flexible on the deadline for 140, people were sending me stuff 6 months after the deadline, which delayed the project considerably. So I'm going to be strict this time.

The quality needs to be good. HD. I'm afraid dodgy mobile phone or internet camera footage wont do! DSLRs are fine. Sound needs to be clear as well though, bad sound wont make it in, so if you're shooting on a DSLR for example, you may need to record the sound separately. And it must be emailed to me (I'll send you a link to dropbox to dump the footage). I'm not going through the whole 140 digitising thing again!!! No sir!!! If you're not a filmmaker you may need some help from a filmmaker friend! But I will provide as much information as I can to help make it easy.

Let the camera run and think about your answers. I'm not worried about long pauses, or if your drift off on a tangent, or want to tell a particular story, or even stare blankly or get annoyed with yourself. Keep the camera running. I'll worry about editing it. Film yourself in what ever environment you want. But the camera should be steady or fixed, you should be seated, head and shoulders in frame and look into the camera.

When the film is complete it's going straight online. I'm not messing around with festivals. Can't afford it and just eats up too much time. I'm also not going to be looking for any money, I'm doing it for free. And I don't want it to cost anything. Hence the email thing. You film it, email it, I cut it and it goes online the same day as I'm finished for everyone to see. End of.

I think by the end of this we'll have an interesting and insightful look into the heart of our country - You.

So, You in?

Tuesday, January 29, 2013

Bring Back the Bees

You ever feel like the internet is just pure noise. Of late I feel like I'm doing a daily 13 rounds with a young fit welterweight, and coming out with my head spinning. The only thing learned - stay out of the damn ring! The Bermuda triangle of procrastination - Gmail - Facebook - Twitter - has swallowed me up. I've lost hours. Days. Weeks even. I could have been abducted for all I know. Maybe the internet is a way for aliens to abduct us, play some facebook and twitter table tennis for an hour and they could do anything to us...

The last couple of weeks I've definitely been feeling drained. Maybe it's the internet, maybe it's other things. I'm not at my creative peak to say the least. I feel stalled. I'm itching to get another film started, but for the moment life has other, bigger, plans - like immigration and babies! Which is all good stuff. But I can't just stop being a filmmaker. I can't help wanting to make films. I've always been that way. I remember when I was a kid, I used to skateboard. I couldn't sit still for skateboarding. If there was a skateboard in the house, I had to be out and on it. If I was out with a skateboard in hand... well, it would never be in hand, it would be underfoot. Film is the same. I need it under foot.

But I do feel the need to prepare. More now than ever. Before, I would rush in.  Though honestly, had I the chance now, that's probably what I'd be doing. So the forced sabbatical is probably for the best. You see the two script I want to make are old scripts of mine, written five and six years ago. I think, I hope, I've learned a lot over the years, so they really should be rewritten. I need to take the time now to do that. But this down time is driving my round the twist! There's no distraction is what the problem is. I'm faced with the daily reality of my situation, that is, that I'm an unemployed, stay-at-home Dad.

Don't get me wrong, I cherish every moment spent with my daughter, and I know when things pick up, I'll miss the hell out of her and being able to spend everyday with her. But I do need to be working. At least, I need to be providing more than I am. I would love if that provision came from film. Film is really all I know how to do. I guess all I want to do. It is, has always has been, something of an obsession. And perhaps an unhealthy one. It's left me completely broke and given me a good excuse to remain in Brokeville for many years.

Next Tuesday I have to go to an interview for, what is basically, forced community service. A new scheme by the government to get people back to work. You get to keep your dole, but only if you work in an unpaid community service position. In one way it's fair. It's working for your money.  I can see that, and for someone who has a job and is paying their taxes I can see why they might say; "Damn right! Make the freeloaders work!"  On the other hand, I can't help but feel like it's another freedom being chipped away. Feels like the government is saying; "We pay you, we own you, you do what we tell you to do, whether you like it or not."  I don't like it. For one thing, it's not going to benefit me now. I'm immigrating soon. For another, it's not tapping into my skills and expertise, it's just planting my in some random job somewhere. It's old band-aid for a broken leg solution.

If only they could use me as a filmmaker. Let me make films, as I have been. I've mentioned the idea here before of community filmmaking: Films in the community, by the community, for the community. You set up a filmmaker to make the films he wants to make, with a few restrictions: 1. It has to be in the town. 2. It has to relate to the town somehow. 3. It has to employ some if not all the cast and crew from the town.  Then it's funded, made and shown here. On top of that, the same filmmaker can work with local groups, youth groups, disabled groups, school groups etc. and make films with them and about them. A constructive, creative, work programme for all. There is also community documentaries; let the filmmaker make a 10 minute doc about the local butcher who's been in business for 40 years, or doc about a local boxing club, or charity organisation and so on.

To me that seems like a better use of my time and ability than ending up as a caretaker in a community centre. And it benefits the community, gets people moving, involved, creating. Then, at the end of it, there is something that represents the town and it's people. Something good and positive up on the screen for them to see and be proud of. Something that's actually made a difference instead of just filling a space.

This country drives me nuts.  And when I say 'this country' I mean the bureaucrats that run it, or should that ruin it. They wont listen to creative thought, to reason, to what's staring them in the face. They just need a tick in a box. And to them, that's all we are, a tick in a box. We're not human. We're not people with hopes or dreams or aspirations. We're a tick in a box. There's no concept that I've been working, unpaid, for ten years, honing a craft, making a name for myself, building something worthwhile - no, I'm on a dole, I need to be placed placed somewhere... Where?  That's right - in a box.  If I stay in this country that's where I'll be for the rest of my life, imprisoned in four walls that are sealed be red tape, with a view of a ghost estate out a window that's been taxed.

Things are changing in the world right now. The weather is changing. Global power is shifting. Financially we're no longer circling the toilet bowl, we're flushed, in the pipes and heading for the sewage works. Meantime animals are going extinct. We're burning and eating at a rate we can't hope to sustain and we're killing the bees while we're at it. Ignoring the fact that we're killing ourselves by doing all this. I say all that because it's part of the noise in my head. I'm wondering if there's hope. If there's a point to it all.

Is there hope? I don't know. I think about my dreams as a kid. How simple they were, and perhaps, back then, attainable on some level, had the world stayed the same. But now those dreams can't ever exist because that world doesn't exist. I still want to be a filmmaker. I still want to make movies that people go to see and enjoy and talk about. But now, what kind of movies? And how do I make them?

I read a little piece today about Steven Soderbergh quiting film. He seemed quite disallusioned at how the film industry has turned out. How it's all about the money and the big budgets and that there's no room anymore for the smaller filmmaker, the filmmaker who makes good films, that may not pull in millions at the box office. That makes me sad. I remember a few years ago when Soderbergh and Clooney had their production company, Section Eight, and I thought, That's it! That's what I want to do! But it didn't last. Things changed and now Soderbergh is bowing out. Bitter.  It worries me. Worries me that I'm wasting my time right now.

But I have to believe there's hope. I have to believe there's a chance that I can make films, the films I want to make. That I can tell my stories that find an audience and connect with that audience. I have to believe that Soderbergh is wrong in someway. That there's an avenue I can take. Maybe it's not the one I saw when I was 9 years old. But there's something there. Via the indie route, the crowdfunded route... something?

I have to believe that the bees will find their way back and that the human race isn't stupid enough to just eat itself to extinction. I know it's worth believing. I just hope it's not a fool hope.

Tuesday, January 15, 2013

Derelict in Drogheda

Derelict Q&A after the screening at the Droichead Arts Centre (photo by Maryann Kelly)
Happy New Year!!! I'm a bit late with that, apologies! A busy beginning to the year, the blog suffered as a result. It was a nice start to the year with a screening of Derelict in my home town of Drogheda. We almost packed he place. Great turn out and a warm reception. Lot's of positive comments afterwards, of course, I think  people are probably too polite to come up to me and say they thought it was crap! But that's OK if they did! I think people appreciated it in general.

Me (photo by Maryann Kelly)
I introduced the film as a special event for me, first, it's ten years since I first screened in there, with a short film that never really should have been shown publicly. A ghost story called The Girl in the Window! It was more of an experiment, no script, some storyboard, and just an attempt to test some scary scene and see if they worked. They did, people jumped, but the film was terrible and made no sense narratively! Oh well. Hopefully the films have improved since then!

Secondly, it's probably my last screening in the Droichead Arts Centre and the last film I'll make in Drogheda, at least for a while, as I'm immigrating later this year. I think I've talked about it here before, so I wont go on about it. Needless to say it was a full circle moment to screen my first feature film, ten years after my first screening there and as my last screening there. A happy/sad moment indeed.

Patrick O'Donnell, Steve Gunn & Gerry Shanahan (photo by Maryann Kelly)

After the screening we had a Q&A session, expertly hosted by Sinead Brassil. I know Sinead as a producer at our local radio station LMFM, and she's started working for FeckTV as well. She interviewed me earlier in the week, so I thought she'd be a perfect choice, and she was. John Lawlor (DOP) actors Steve Gunn (Davey-boy) Patrick O'Donnell (Tone) and Gerry Shanahan (Daniel) all took part. It was fun! Then off to the pub for a few pints afterwards. A good night all round.

There are also two Videos on Vimeo:

My thanks for the Droichead Arts Centre, always a pleasure to screen there! Great team. To Sinead Brassil for hosting. John, Steve, Patrick and Gerry for taking part in the Q&A. And everyone for coming out, I know there were other option on the night, but it means a lot that you chose our film! Thanks.

Monday, March 19, 2012

Three for Free!

I've put two of my short films online. Now for the first time Emily's Song is available to watch for free. Emily's Song was my first short film, shot in 2005, released in 2006, went on to screen at 30 film fests around the world, won some awards, found distribution and was broadcast on RTE and Channel 4, as well as appearing on several 'Best of Fest' dvd boxsets.


Slan was shot in 2009 in the middle of production on 140, so I a little distracted and the film never got the push it deserved. However RTEs Nationwide did a feature on the subject of the film, the last of the rent collectors, and RTE picked it up for broadcast last year.

Warning: Contains images of Violence and Strong Language from the start.


Of course not forgetting that 140 is still available!


Enjoy! Comments and welcome, questions answered!

Addition: Or should I say, Subtraction - 140 is now for sale on Seed&Spark!